Give

I give the cat what he wants
And he gives me what I want
This is complicated
The only star which loves you enough
to help you manufacture the Vitamin D
you need to survive is This One.
Right above your head.
We love it so much we refuse
We refuse to personalize it make it a god
We love and need it so much
We never even say its name.
I never say your name

Email

Something goes thinking The Yellow House
don’t want to think it’s me
but revenant snow gathers its mail
mint chainmail of whispers against windows
thousands of tomorrows we may
leave off finishing our sentences a bit
your face in a fridge, body elsewhere

body elation, I know what you
wildflowers into the night
editor reaches her edge
she has to drive away somewhere
a wraith we can appreciate
the swimming into disingenuous fish

their souls like nightlights behaved
behind these front lines

Love Poem

Your morning has a lilt
I have fallen asleep inside someone’s box

Each tall building leers from its stone mask
Listens to your carotene leaf dampened footsteps

Some papery parts of you are sweet
Are mellifluous sounds of you in ancient corridors

Where birdsong penetrates dark
I listen to your darkening footsteps

I am dark
I have fallen asleep inside someone’s box

The time to be that time has nearly passed
It was sweet, not listening for honey

The honey can remain still for years
Stare at it in the night and tell someone

Most stars stutter if you stare at them
Behavior is just a funny concept

Revenant City

They don’t miss me.
But I miss them sometimes,
and they surface from dark

to wear the human clothing
of time again. I think most planned
on being sensibly dead,

stepping away, past. A sensible
approach to the impossible.

Though I host them. Dear Now-and-Then.
Our sweetness and our dead ends

continue in dreams. Just last night
I had to move away from them

again, in their dream of being

desperately close as birth seems.

After the Toothbrush

I lie in a bed of darkness, my tongue searching my mouth.
I lie there in darkness, my tongue translating grit of language on my teeth.
I lie there in darkness, eyes closed, tongue translating.
I lie there. My mouth opens its darkness to darkness.
I lie there and feel the ancientness of toothpaste like a desert.
I lie there in dark and feel its desert seeking wet of my mouth.
I lie in dark and think how each night toothpaste erases more.
I assist at polishing myself away. I will surely disappear over centuries
like the Sphinx under the ravages of this lightly-flavored sand.

Thanks

The ocean’s bottom is crossing
somewhere tonight as your hand
crossing this kitchen table.

It’s the exact same thing.

Turn that only lamp off
so this room is entirely October.
There. Thank you.

What a precarious place
envelopes occupy these days.

Perhaps all paper is endangered.

We watch wind crossing the street
to reach the convenience store where kids shop,
then the cemetery where they sit.

It is one beautiful process beyond us.

Leaves, cast about, show us wind’s footprints.

Sounds of paper scratching at the world.

That’s what I listen to, falling asleep.

I place an oak leaf in the envelope coffin.

I mail you this oxymoron,

“delicate bronze.”

Was a Man

There was a man made out of crows.

What do you now know about this man?

You know he was. You know he was made. You know his substance was crows.

Perhaps you are inventing his origin story (you should tell). Perhaps you are painting his portrait. How quickly you have invited yourself into his world, which might be a private world. Perhaps you are denying his very existence with some a priori argument, like some philosophical busybody.

But I assure you the man made out of crows exists.

In fact, what if I told you he is standing right before you, writing these words.

The shadows of my black wings are all over this page. I am a congress of crows, fighting with each other but somehow unified. My beaks are legion. My feet end in claws like scythes. Baby Grim Reaper scythes on each of my feet. Do you see me yet?

Sometimes driving past a cornfield, I have to pull the car over.

I just have to explode into a Van Gogh painting.

It’s a terrible self-indulgence.

But then I pull myself back together, cram the wings of my murder back into the car, and drive off down the country road.

Dear Franz,

My mother (who is not my mother) talks with me in the kitchen. We are back in the old house of my childhood. It was a small house where we knew all our neighbors and their children by first names, where we had all been in each other’s houses many times. Almost as if we were all subconsciously doing inspections all the time.

A young German soldier has taken shelter with us and is terrified. The house right above ours on our street has been taken over by Nazi soldiers. It’s become a makeshift barracks. It’s late at night and they are carousing loudly. You can hear German music and glasses clinking and the laughter of younger men wrapping around the laughter of older men. Because they are drunk and distracted, my mother encourages the young soldier to sneak out the kitchen’s back door into our dark backyard and make his way around to our driveway in front. He can sneak from shadowy tree to shadowy tree to make it. He can take our car and try to seek wherever it is shelter might be for him. Maybe he will join a different army. Maybe he will join our army or some faction of the resistance. Another man had been shot dead in the darkness of our yard less than an hour before this exchange. It might have been my brother in dark clothing. It might not. It might have been a dream stranger forming his features but never quite achieving them, like a mushy cookie whose baking tray was taken out of the oven too soon. Dreams have that remarkable cut-throat physics. People who are not quite people can affect you in the most remarkable ways.

The young German boy who had been sitting at our kitchen table weeping his story slips out our back door into the darkness. I don’t know my own age in the dream. I think I’m a boy, maybe an adolescent. But you can hover between ages in a dream. Maybe I’m no-age.

It isn’t long until we hear the gunfire outside and we chastise fate with each other, my mother and I. That poor boy. We don’t know what to do. We go to the front of the house and the car has not moved. He’s clearly down with the gunfire, probably dead. The carousing Germans must have left a few sober sentries watching our dark backyard. Probably they just sat in dark trees waiting for just this moment.

My mother decides to go out the back door after him, to follow the same path from our backdoor, up the hill and across our yard. I don’t know what the plan is. I guess reconnaissance, just to see what happened, but a rescue is possible. Maybe she will drag the young German boy back into our house and be a hero. Maybe we can save him. I watch her don her dark clothes and leave. We are not sentimental in parting. I am alone in the small night kitchen in the house that is the war come to America.

After an excruciating amount of time has passed, I am worried enough to leave the house to check on her. I decide to go out the front door and pass the car as I climb the hill from this unexpected direction. I see a body lying at the base of the next hill, the small one on which the neighbor’s house has always perched, the one that has the mix of rocks and perennial flowers like blue iris. A body lies still in darkness at the base of this hill. It is the young German soldier. He’s obviously dead.

I run back into my house. Whom do I call? Can you call the police in a strange neighbor war like this? It seems doubtful. What have they done with my mother?

But then I hear her voice through the night. She is telling a story, sometimes laughing. I don’t hear as many German voices now. I make my way back outside, into the night to get a view of the house.

I cannot see my mother but I hear her telling a story in German inside the neighbor’s house. It’s punctuated now by rounds of laughter at certain points and sometimes she sings snatches of German popular songs to further illustrate some point in her story. This makes both the young and old soldiers, whom I cannot see, laugh uproariously. I see only the small neighbor’s house on the hill and its lit windows. They are all clearly under her spell as she entertains in her perfect German.

I go back inside the my house and wonder at the dead German boy in our yard. His clump of darkness lies inside my head too. I sit on the living room sofa and watch a television screen that is just white static swirling with a hiss like a waterfall. The living room is otherwise dark, so if you stare into that screen you start to hallucinate things. The white particles edged with darkness seethe and teem. My white socks on my legs extended before me glow in the t.v. light. How perpendicular I am. I must be a boy.

I don’t call the police. I don’t call the police. And I don’t call the police.

Worst. Halloween Party. Ever.

The worst Halloween party ever was at Bobby Vitelli’s house. Most of us were in second or third grade. Bobby’s father had just escaped from that prison for the criminally insane. His mother was supposed to be throwing the party, but Bobby’s dad had taken care of her as soon as he got home. You might have read about what he did to her in that pumpkin patch. Still gives me nightmares. Anyway, he had us all trapped down there in that basement. The games were horrible. “Duck Duck Goose” became “Duck Duck Noose.” “Bobbing for Apples” became “Bobbing for Faces.” (He had brought some “party favors” taken from previous victims in his nylon gym bag). Most of us were crying or screaming or in shock but he just kept going. Little Bobby begged his dad to stop but he wouldn’t. Neighbors must have heard our terrified screams, because it wasn’t long until the SWAT team broke into the house above us. Bobby led a bunch of the kids upstairs while his dad was distracted frantically searching for something among his tools he couldn’t find. Once kids were in the chaos of the house upstairs, they got to play “Hide and Seek” with the swatties for a bit and finally “Follow the Leader” out the back door of the house. But I was still downstairs for the final game. Bobby’s father looked right into my eyes and said “‘Pin the Tail on the Donkey’ is now ‘Shoot the Nail in the Junkie.’” He said it so calmly and smiled right at me. That’s when I realized he was holding that electric nail gun. He brought it up to his forehead, still smiling like he had just won a prize. Well, you know what comes next. The party just ended with the worst dad joke ever. 

When

When you wake,
body stiff as an old Valentine.
Pills and cat food and rain,
a look at the healing cut. The other cut.
You didn’t feel its slice at all.
Your nerve endings are abdicating.
Life is but a dream, eventually.
It’s grey. Leave that nightlight on 
all day. But. A million suns 
wait in old paper! You were wise
to let new kittens sow chaos here.
Something crashes to the floor upstairs,
something irretrievably breaks.
We will celebrate the destroying
young angels everywhere. How 
beautifully naive it all is. You run
to the shards. Like Ezra Pound,
the kittens believe “MAKE IT NEW.”
Running up and down old stairs
after new shards, you finally crash
into yourself and wake up.